Read 120, rue de la Gare. Un caso per Nestor Burma by Léo Malet Free Online
Book Title: 120, rue de la Gare. Un caso per Nestor Burma|
The author of the book: Léo Malet
Edition: Editori riuniti
Date of issue: October 1996
ISBN 13: 9788835941248
Format files: PDF
The size of the: 6.98 MB
City - Country: No data
Loaded: 1991 times
Reader ratings: 5.1
Read full description of the books:
Malet wrote a series of mysteries set in each of the 20 Parisian arrondissements featuring a French answer to Philip Marlowe, "dirty flat-foot" Nestor Burma. This one is set in Nazi-occupied Paris in the early forties, and is illustrated as several of the Malet adaptations are, by the celebrated Jacques Tardi. Tardi does adventure stories, he does war stories, and he does mysteries, and they are all amazing in their own ways. Tardi, as Art Spiegelman makes clear in his introduction, is a classic cartoonist with a reputation for making place and time come alive.
In this one, Burma, a hard-boiled detective in the noir tradition follows up a mystery man who died in the stalag (based on some of Malet's actual experience), and the shooting of an old friend he meets by chance in a train station. There are twists and turns and false leads and lovely French women (right, they are generally just lovely and mysterious in this story), and a big reveal party in the best Christie tradition. Most of these Malet adaptations are shorter, and this one suffers from being a little long at 190 pages, but I would check out one of these Tardi classics, for sure.
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Read information about the authorLéo Malet est né à Montpellier en 1909. Attiré par l'écriture et l'anarchie, il décide à l'âge de 16 ans de « monter » à Paris, ou pour survivre il effectue une multitude de petits métiers. En 1930, il fait la connaissance d'André Breton et découvre le surréalisme, dont il devient un familier. Après la guerre, Léo Malet rencontre Louis Chavance qui lui suggère d'écrire des romans policiers, un genre encore inexistant en France. Malet produit alors d'alertes contrefaçons de Hard boiled américains qu'il signe des pseudonymes de Frank Harding ou Léo Latimer. En 1943, il publie sous son véritable nom, 120 rue de la gare, un roman policier très français qui met en scène pour la première fois l'illustre Nestor Burma. C'est en 1953, lors d'une promenade, que Léo Malet aura l'idée de faire de son privé un nouveau « piéton de Paris ». Le soleil naît derrière le Louvre inaugure la série des Nouveaux Mystères de Paris, un an après. Chroniques réalistes de la vie des quartiers parisiens, Les Nouveaux Mystères de Paris donnent définitivement à son personnage ses lettres de noblesse. Avec 55 titres (dont 29 consacrés à Nestor Burma), Léo Malet a bien mérité des Lettres françaises. Il est mort en 1996.
Leo Malet was born in Montpellier. He had little formal education and began work as a cabaret singer at "La Vache Enragee" in Montmartre, Paris in 1925.
In the 1930s, he was closely aligned with the Surrealists, and was close friends with André Breton, René Magritte and Yves Tanguy, amongst others. During this time, he published several volumes of poetry.
He died in Châtillon, a little town just south of Paris where he had lived for most of his life, four days before his 87th birthday.
Though having dabbled in many genres, he is most famous for Nestor Burma, the anti-hero of Les Nouveaux Mystères de Paris. Burma, a cynical private detective, is an astute speaker of argot (French slang), an ex-Anarchist, a serial monogamist and an inveterate pipe smoker. Of the 33 novels detailing his adventures, eighteen take place in a sole arrondissement of Paris, in a sub-series of his exploits which Malet dubbed the "New Mysteries of Paris" quoting Eugene Sue's seminal "feuilleton"; though he never completed the full 20 arrondissements as he originally planned. Apart from the novels, five short stories were also published, bringing the total of Burma's adventures to 38.
The comic artist Jacques Tardi adapted some of his books much to the author's approval claiming that he was the sole person to have visually understood his books; Tardi also provided cover illustrations for the Fleuve Noir editions of the novels, released from the 1980s onward.
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