Read Out in the World: Selected Letters, 1935-1970 by Jane Bowles Free Online
Book Title: Out in the World: Selected Letters, 1935-1970|
The author of the book: Jane Bowles
Edition: Black Sparrow Press
Date of issue: April 1st 1985
ISBN 13: 9780876856260
Format files: PDF
The size of the: 838 KB
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For John Asbery, Jane Bowles was one of the finest modern writers of fiction, in any language. Her body of work is small: a novel, a play, six short stories. And now we have her letters133 of themwhich, like everything she wrote, are exercises in literary precision.
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Read information about the authorBorn Jane Sydney Auer, Jane Bowles's total body of work consists of one novel, one play, and six short stories. Yet John Ashbery said of her: "It is to be hoped that she will be recognized for what she is: one of the finest modern writers of fiction in any language." Tennessee Williams called her the most underrated writer of fiction in American literature. During her lifetime and since her death in 1973, she has been considered a writer's writer, little known to the general public but with a loyal following of intensely devoted readers.
She was born in New York City on February 22, 1917, the daughter of Sidney Auer and Claire Stajer Auer. Her childhood was spent in Woodmere, Long Island. On her father's death in 1930, Jane and her mother moved back to Manhattan. As an adolescent she developed tuberculosis of the knee. Her mother took her to a sanatorium in Leysin, Switzerland, where she was put in traction for many months. During this time she developed an intense love of literature and an equally intense series of obsessions and fears. Upon her return to New York she began to experiment with writing a novel and with sexual adventures with men and women, though primarily with women.
In 1937 she met Paul Bowles, and in the following year they were married and set off for a honeymoon in Central America, which was to be, in part, the locale of her novel Two Serious Ladies. The Bowleses went on to Paris, where she started writing and at the same time visited lesbian bars. The marriage remained a sexual marriage for about a year and a half, but after that Jane and Paul lived separate sexual lives. After returning to New York in 1938, the Bowleses went on to Mexico, where Jane continued to work on her novel and also met Helvetia Perkins, who was to become her lover.
Two Serious Ladies was published in 1943. The reviews were mostly uncomprehending. Soon, Paul, who had been involved in the editing of Two Serious Ladies, began to write short stories, which were immediately published with great distinction. Jane, having published a few short stories, began to work on a novel, but ran up against a serious writer's block.
In 1947 Paul went to Morocco to work on The Sheltering Sky. Jane followed him there the following year. She continued to struggle to work, and published several short stories, including her masterpiece, "Camp Cataract," and began to work seriously on her play In the Summer House. In Tangier, where the Bowleses resided, Jane fell in love with a Moroccan peasant woman.
In the Summer House was performed on Broadway in 1953 to mixed reviews. Jane returned to Tangier and continued to try to write a novel, but her attention was primarily devoted to her love affair with Cherifa, the Moroccan woman, to affairs with other women and also to a social life in which she did a considerable amount of drinking.
In 1957 she suffered a serious stroke, which affected her sight and her capacity to imagine. Nevertheless, notebook after notebook attests to her still continuing struggle to try to write. Her condition worsened, and after hospitalizations in England, New York and Málaga, Spain, she was confined in the Clinica de Los Angeles in Málaga, where she died in 1973.
Yet it should be noted that despite this tragic story, her personality captivated many people. She was brilliant and witty, always doing and saying the unexpected thing. She was in every way as surprising as her work, one moment mystical, the next moment hilariously funny.
Copyright © 2003, by Millicent Dillon
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