Read Ranma ½, Vol. 4 (Ranma ½ by Rumiko Takahashi Free Online


Ebook Ranma ½, Vol. 4 (Ranma ½ by Rumiko Takahashi read! Book Title: Ranma ½, Vol. 4 (Ranma ½
The author of the book: Rumiko Takahashi
Edition: Viz Media
Date of issue: January 5th 1996
ISBN: 1569310858
ISBN 13: 9781569310854
Language: English
Format files: PDF
The size of the: 797 KB
City - Country: No data
Loaded: 1021 times
Reader ratings: 4.8

Read full description of the books:



This is probably the end of my first love affair with Ranma ½. I’ll be back, because the characters are delightful and Takahashi is brilliant at creating nonsensical problems for them, including the manic cat phobia that she invents for Ranma in this volume. It’s largely a cute volume, first with a loser voodoo practitioner trying to manipulate his fear of cats, and later an ancient Amazon trapping him in his female form. Both of these set up zany antics, and subtly showing Ranma and Akane relying more on each other. It’s a cute love story that needs some nudging.

Yet this was the volume where the cheesecake got too much for me. I can handle it being part of a series, and Ranma ½ has been decent in riffing on it with both genders, but there comes a time when Ranma’s female form is stripped to a single scrap of clothing that is too prurient for me. And then Shampoo gets naked. And then there’s a damned beach story focusing pretty much exclusively on the girls in swimsuits. It’s a streak that probably helped the book sell to a bigger audience, but not to me.

With some time, I’ll revisit the series and probably gobble several more volumes, because there aren’t many writers who can juggle antics, love and comedy like this. It’s damned sure not a RomCom or a martial arts action book. Instead, it’s one of the weirdest sitcoms ever produced, simply executed through print. I know I won’t stay away.

(Written April 2014; edited for a typo January 2017)


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Read information about the author

Ebook Ranma ½, Vol. 4 (Ranma ½ read Online! Rumiko Takahashi (高橋 留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.

Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.

Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.

Career and major works:

Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.

In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.

During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.

Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series

Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.

During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran


Reviews of the Ranma ½, Vol. 4 (Ranma ½


JUDE

This book is holding in tensions until the end!

ELIJAH

This book is worth reading!

BETHANY

A wonderful piece

CONNOR

An interesting book, Hard to tear down

SKYE

This book is holding in tensions until the end!




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