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Book Title: Después de dejar al señor MacKenzie|
The author of the book: Jean Rhys
Date of issue: 1978
ISBN 13: 9788427908710
Format files: PDF
The size of the: 4.89 MB
City - Country: No data
Loaded: 1590 times
Reader ratings: 5.6
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"It was the darkness that got you. It was heavy darkness, greasy and compelling. It made walls round you, and shut you in so that you felt you could not breathe. You wanted to beat at the darkness and shriek to be let out. And after a while you got used to it. Of course. And then you stopped believing that there was anything else anywhere.".
My third Rhys and I feel that her female protagonists aren't the most likeable characters but they are human so quite relatable.At least it's very easy to remember that they are human and to feel for what they're going through.
There was so much despair in this book and it was easy to spot the feminist threads. Julie, a woman who married to be free is trying hard to make it in Paris. Reliance on men,and fears of getting older and so on all make her think, "My life's like death. It's like being buried alive. It isn't fair, it isn't fair."
There always seems to be a feeling of impending doom in the book. This is a book of broken dreams, of disappointments, of unfairness, where the value of a woman is apparently on the decline after age 30. But it was a great book that had me transfixed enough to read in one sitting.
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Read information about the authorJean Rhys, originally Ella Gwendolen Rees Williams, was a Caribbean novelist who wrote in the mid 20th century. Her first four novels were published during the 1920s and 1930s, but it was not until the publication of Wide Sargasso Sea in 1966 that she emerged as a significant literary figure. A "prequel" to Charlotte Brontë's Jane Eyre, Wide Sargasso Sea won a prestigious WH Smith Literary Award in 1967.
Rhys was born in Dominica (a formerly British island in the Caribbean) to a Welsh father and Scottish mother. She moved to England at the age of sixteen, where she worked unsuccessfully as a chorus girl. In the 1920s, she relocated to Europe, traveling as a Bohemian artist and taking up residence sporadically in Paris. During this period, Rhys lived in near poverty, while familiarising herself with modern art and literature, and acquiring the alcoholism that would persist through the rest of her life. Her experience of a patriarchal society and feelings of displacement during this period would form some of the most important themes in her work.
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