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Ebook Życie Pana Moliera by Mikhail Bulgakov read! Book Title: Życie Pana Moliera
The author of the book: Mikhail Bulgakov
Edition: Młodzieżowa Agencja Wydawnicza
Date of issue: 1987
ISBN: No data
ISBN 13: No data
Language: English
Format files: PDF
The size of the: 5.83 MB
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Loaded: 1901 times
Reader ratings: 4.5

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Książka opowiada o szczególnych relacjach między władzą a artystą. W tym przypadku chodzi o króla Francji Ludwika XIV oraz o dramatopisarza i komedianta Jean-Baptiste'a Poquelin, który przybrał inne nazwisko, dodał sobie owo szlachetne "de" i jako de Molière wszedł do historii literatury. Michaił Bułhakow uważał go za kogoś szczególnie mu bliskiego, choć Molier miał więcej szczęścia przynajmniej jako pisarz: jego sztuki były wystawiane, sam w nich grywał i cieszył się zasłużoną sławą. Bułhakow przeciwnie - "Życia pana de Molière" nigdy nie ujrzał w druku ani na scenie. Powieść pozostała wśród innych rękopisów, które nie płoną, i trafiła do czytelników 22 lata po śmierci autora.

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Ebook Życie Pana Moliera read Online! Mikhail Bulgakov was born in Kyiv, Russian Empire (today Ukraine) on May 15 1891. He studied and briefly practised medicine and, after indigent wanderings through revolutionary Russia and the Caucasus, he settled in Moscow in 1921. His sympathetic portrayal of White characters in his stories, in the plays The Days of the Turbins (The White Guard), which enjoyed great success at the Moscow Art Theatre in 1926, and Flight (1927), and his satirical treatment of the officials of the New Economic Plan, led to growing criticism, which became violent after the play The Purple Island. His later works treat the subject of the artist and the tyrant under the guise of historical characters, with plays such as Molière, staged in 1936, Don Quixote, staged in 1940, and Pushkin, staged in 1943. He also wrote a brilliant biography, highly original in form, of his literary hero, Molière, but The Master and Margarita, a fantasy novel about the devil and his henchmen set in modern Moscow, is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.

Detailed Version

Mikhaíl Afanasyevich Bulgakov (Russian: Михаил Булгаков) was the first of six children in the family of a theology professor. His family belonged to the intellectual elite of Kyiv. Bulgakov and his brothers took part in the demonstration commemorating the death of Leo Tolstoy. Bulgakov later graduated with honors from the Medical School of Kyiv University in 1915. He married his classmate Tatiana Lappa, who became his assistant at surgeries and in his doctor's office. He practiced medicine, specializing in venereal and other infectious diseases, from 1915 to 1919 (he later wrote about the experience in "Notes of a Young Doctor.")

He joined the anti-communist White Army during the Russian Civil War. After the Civil War, he tried (unsuccesfully) to emigrate from Russia to reunite with his brother in Paris. Several times he was almost killed by opposing forces on both sides of the Russian Civil War, but soldiers needed doctors, so Bulgakov was left alive. He provided medical help to the Chehchens, Caucasians, Cossacs, Russians, the Whites, and the Reds.

In 1921, Bulgakov moved to Moscow. There he became a writer and became friends with Valentin Katayev, Yuri Olesha, Ilya Ilf, Yevgeni Petrov, and Konstantin Paustovsky. Later, he met Mikhail Zoschenko, Anna Akhmatova, Viktor Ardov, Sergei Mikhalkov, and Kornei Chukovsky. Bulgakov's plays at the Moscow Art Theatre were directed by Stanislavsky and Vladimir Nemirovich-Danchenko.

Bugakov's own way of life and his witty criticism of the ugly realities of life in the Soviet Union caused him much trouble. His story "Heart of a Dog" (1925) is a bitter satire about the loss of civilized values in Russia under the Soviet system. Soon after, Bulgakov was interrogated by the Soviet secret service, OGPU. After interrogations, his personal diary and several unfinished works were confiscated by the secret service. His plays were banned in all theaters, which terminated his income. Destitute, he wrote to his brother in Paris about his terrible life and poverty in Moscow. Bulgakov distanced himself from the Proletariat Writer's Union because he refused to write about the peasants and proletariat. He adapted "Dead Souls" by Nikolai Gogol for the stage; it became a success but was soon banned.

He took a risk and wrote a letter to Joseph Stalin with an ultimatum: "Let me out of the Soviet Union, or restore my work at the theaters." On the 18th of April of 1930, Bulgakov received a telephone call from Joseph Stalin. The dictator told the writer to fill an employment application at the Moscow Art Theater. Gradually, Bulgakov's plays were back in the repertoire of the Moscow Art Theatre. But most other theatres were in fear and did not stage any of the Bulgakov's plays for many years.

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