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Ebook écrits libertaires (1948-1960) by Albert Camus read! Book Title: écrits libertaires (1948-1960)
The author of the book: Albert Camus
Edition: indigène éditions
Date of issue: April 2013
ISBN: No data
ISBN 13: No data
Language: English
Format files: PDF
The size of the: 3.63 MB
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Reader ratings: 3.2

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Justice pour Albert Camus, dont les écrits libertaires n'ont été identifiés que tardivement - ses oeuvres complètes et ses biographes les ont longtemps ignorés. Cette méconnaissance a faussé nos idées sur l'écrivain préféré des Français. Son sang espagnol - par sa mère - a battu à l'unisson des anarcho-syndicalistes de ce pays. II sentait, " vivant en lui ", Bakounine, le père russe de l'anarchie.
Quant au " génie libertaire ", il y trouva sa raison d'être. Justice pour Lou Marin, le chercheur allemand qui a exhumé ces textes disséminés dans des revues en France, en Espagne, en Allemagne, en Argentine... Car c'est lui le vrai découvreur du Camus libertaire. Justice enfin pour Claire Auzias, l'éditrice d'Egregores, la première à avoir publié cette anthologie et à qui Indigène s'associe pour donner à ces textes indomptables une plus large diffusion, avec l'accord de Catherine Camus.
J.-P. Barou et S. Crossman


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Ebook écrits libertaires (1948-1960) read Online! Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest in philosophy (only chance prevented him from pursuing a university career in that field), he came to France at the age of twenty-five. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation was a columnist for the newspaper Combat. But his journalistic activities had been chiefly a response to the demands of the time; in 1947 Camus retired from political journalism and, besides writing his fiction and essays, was very active in the theatre as producer and playwright (e.g., Caligula, 1944). He also adapted plays by Calderon, Lope de Vega, Dino Buzzati, and Faulkner's Requiem for a Nun. His love for the theatre may be traced back to his membership in L'Equipe, an Algerian theatre group, whose "collective creation" Révolte dans les Asturies (1934) was banned for political reasons.

The essay Le Mythe de Sisyphe (The Myth of Sisyphus), 1942, expounds Camus's notion of the absurd and of its acceptance with "the total absence of hope, which has nothing to do with despair, a continual refusal, which must not be confused with renouncement - and a conscious dissatisfaction". Meursault, central character of L'Étranger (The Stranger), 1942, illustrates much of this essay: man as the nauseated victim of the absurd orthodoxy of habit, later - when the young killer faces execution - tempted by despair, hope, and salvation. Dr. Rieux of La Peste (The Plague), 1947, who tirelessly attends the plague-stricken citizens of Oran, enacts the revolt against a world of the absurd and of injustice, and confirms Camus's words: "We refuse to despair of mankind. Without having the unreasonable ambition to save men, we still want to serve them". Other well-known works of Camus are La Chute (The Fall), 1956, and L'Exil et le royaume (Exile and the Kingdom), 1957. His austere search for moral order found its aesthetic correlative in the classicism of his art. He was a stylist of great purity and intense concentration and rationality.


Reviews of the écrits libertaires (1948-1960)


CALEB

You need to be clear about what this book is for and what it can give you.

MOHAMMAD

On one Breath

SOFIA

Compelling book!

OLIVER

Frankly, double

MEGAN

A hard, shocking, but extremely useful book that makes you think!




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